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Further reading#Reviews

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Move contents of Further reading#Reviews from article space into the talkpage. --Rosiestep (talk) 20:33, 30 September 2021 (UTC)[reply]

  • Charles Bernstein, "What Happens When the Artists Drops Away", Hyperallergic, May 11, 2014
  • Andrew Levy. "Biotopology with No Annual Fee", New York: ON: Contemporary Practice (2008), pp. 65–77.
  • Daniel Ross, "Passages to Immortality: Arakawa and Gins, Stiegler, and September 11", Reconstruction (November 2, 2011)
  • Jean-Francois Lyotard. Que Peindre?, Adami, Arakawa, Buren. Paris: Hermann Editeurs (2008)
  • R. Klanten, L. Feireiss. Eds. Strike a Pose: Eccentric Architecture and Spectacular Spaces (September 2008)
  • Jondi Keane and Evan Selinger. "Architecture and *'Philosophy: Refelections on Arakawa and Gins". Footprint (Autumn 2008)
  • Fred Bernstein. "A House Not for Mere Mortals", New York Times (April 2008)
  • 'J. Keane. "Exert Yourself in Wholly Other Ways", Kerb (2007–08)
  • 'J. Keane. "Situating Situatedness through Æffect and the Architectural Body of Arakawa and Gins", Janus Head, (Winter/Spring Issue 2007, 9.2), pp. 437–57
  • Florentine Sack. Open House: Towards a New Architecture (2006), pp. 131–43
  • "Design Innovation House: Reversible Destiny Lofts", Archiworld (2006)
  • Mari Hashimoto. "How to Live in Reversible Destiny Lofts with Directions for Use", Casa Brutus (February 2006)
  • 'Yoshihio Sano. "The trial to cross-over", Japan Architect (February 2006)
  • Lawrence B. Nagy. "Parcours vita a domicile", Le Monde (February 26, 2006)
  • Tomoko Otake. "Home sweet: 'death-defying' condo homes", The Japan Times (January 15, 2006)
  • Takeshi Matsuda. "Closeup: Building a Residence with Tubes, Spheres and Cubes", Nikkei Architecture (May 2, 2005)
  • Joel David Robinson. "From Clockwork Bodies to Reversible Destinies (On the Architectural Experiments of Arakawa and Gins)", Art Papers (March/April 2005)
  • Lisa Licitra Ponti. "Arakawa + Gins. Living Bodies", Domus 879 (March 2005)
  • Susan Stewart. "On the Art of the Future." The Chicago Review (Winter 2004–05)
  • Karen MacCormack. "Mutual Labyrinth: A Proposal of Exchange", Architectures of Poetry (eds. Dworkin, Craig Douglas; Díaz Sanchez, María Eugenia). Amsterdam: Rodopi, 2004
  • 'Michel Delville. "How Not to Die in Venice: The Art of Arakawa and Madeline Gins", Architectures of Poetry (eds Dworkin, Díaz Sanchez). Amsterdam: Rodopi, 2004
  • 'Michelle Delville. "How Not to Die in Venice: The Art of Arakawa and Madeline Gins" Reading the Illegible (Avant-Garde and Modernism Studies) (editor C. Dworkin), Northwestern University Press, Chicago, Illinois (2003)
  • David Kolb. Review of Architectural Body. Continental Philosophy Review, 2003
  • Patrick Pardo. "Regarding the Lives of Human Snails: Arakawa/Gins and the Architectural Body", Daily NY Arts Newsletter, May 15, 2003, p. 1
  • Aaron Kunin. "Stay Alive: Gins and Arakawa vs. The Grim Reaper", The Village Voice (January 15–21, 2003)
  • Joel David Robinson. Review of Architectural Body. Parachute (April 5, 2003)
  • Geraldine McKenzie. Review of Architectural Body. How2 (Spring 2003)
  • Jean-Michel Rabaté, ed. "Architecture Against Death Architecture" Interfaces (21–22) A + G (Special Double Issue, Fall 2003)
  • 'Mary Ann Caws. "Taking Textual Time" Reimagining Textuality: Textual Studies in the Late Age of Print (ed. Loizeaux, Elizabeth Bergmann; Fraistat, Neil). University of Wisconsin Press (2002)
  • Charles Bernstein. "Every Which Way But Loose" Reimagining Textuality: Textual Studies in the Late Age of Print (ed. Loizeaux, Elizabeth Bergmann; Fraistat, Neil). University of Wisconsin Press (2002)
  • Arthur C. Danto. "Arakawa-Gins", The Nation (August 11–18, 1997), pp. 31–34; reprinted in 2000 in The Madonna of the Future: Essays in a Pluralistic Art World, New York: Farrar, Straus and Giroux (2000), pp. 265–272
  • 'Samira Kawash. "Bodies at Risk- The Architecture of Reversible Destiny", PAJ 59 (1998), pp. 17–27
  • 'Tom McEvilley. "Arakawa and Gins at the Guggenheim Soho", Art in America (January 1998), pp. 100–01
  • Mark Amerika. "Astrophysical Grammatology – Helen Keller or Arakawa", American Book Review, February–March 1996, Vol. 17, No. 3, p. 18
  • Gendai Shiso. The Journal of Contemporary Thought, Tokyo (August 1996, devoted to the work of Arakawa/Gins)
  • Serge Gavronsky. "Dot Lamour", Witz, A Journal of Contemporary Poetics, Winter 1994, Volume III, No. 1
  • 'Mary Ann Caws. "Madeline Gins- Helen Keller or Arakawa." Journal of Philosophy and the Visual Arts, no. 6, Complexity, 1995, p. 96
  • Charles Bernstein and Susan Bee, "Meaning the Meaning: Arakawa's Critique of Space." Content's Dream: Essays 1975–1984, Sun & Moon Press; 184–195
  • 'Robert Creeley. "Someplace Enormously Moveable" – The Collaboration of Arakawa and Madeline Gins, Art Forum, Vol. 18 (Summer 1980), pp. 60–65.